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Welcome Speech from NTU Harmonica Band

First, Welcome you all to join our band, and be a part of the big family. With passionate, I believe you all will enjoy in the band, and learn a lot of things or soft skills that you will not learn in lectures, but important for your future.

I am Kong Fai, the ex-band leader. As you all know, previously we are under Chinese Society, but we hope to expand the cultural background of the band as well as having a better development for the band, so we join CAC. For the past 25 years under Chinese Society, we should have developed to a highly professional band. However, I don’t see any tremendous progress. Fortunately, we have you guys to join our band. As a pioneer in transforming Harmonica Band to another stage, we need to be unity, on the same boat pursuing for the same target. Each one of you is very important!

Maybe the words above may seem too far for you, since most of you are still beginners in Harmonica. But Rome did not built up within a single day. The recipe to strengthen your basic skill (accuracy, tempo) is nothing but to practice with patience! Practice for 15 minutes daily would help a lot!

1. Try to play every single hole in your harmonica very accurate, then feel the distance between the notes you want to jump. If you encounter two far holes to play, just try to find the feeling of moving your lips (how far you need to move), then practice for a few time. Bit by bit, you will improve in blowing the hole accurately.

2. For the tempo, practice with the basic skills scores (Basic Skill 1-8) that we distribute to you. First, play it on a very slow tempo, until you manage to blow everything, only then you speed up your tempo. If there is some difficulties in a certain part that you find hard to go through, practice few more time in that part and try to play all again. Play the song smoothly all the way without stopping is the only way to ensure you have improved.

3. Remember to have a short warm up for your harmonica, and try not wash it under tap water, wipe it will do.

Hope that the above tips help you in learning harmonica.

After you have managed the basic skills, is time to you to form small group (Duet, Trio, Quintet, Quartet). Getting to perform on stage is a way to help you improve. You will find performing very exciting after a certain number of stage frights! You build up your way in presenting in front of public also, which is certainly helpful for your future. Also, you can earn some allowance as an encouragement.

After you have 1-2 performing experience, try some classical piece. Classical piece is a breakthrough for your harmonica standard. Once you manage classical pieces, basically you have strong harmonica foundation already.

To help our band improve, we are planning to form some Trios. These trios will serve to participate in Asia Pacific Harmonica Festival in 2012 in Malaysia. We have two years time to get well prepare, I think that is very possible for us to get some results, if we starts from now. Quintet or Quartet are also our consideration.

With these long-term plan, we should be able to manage and have a good performance in February Annual Concert (Vivace XI) as we progress. We are hoping that we could have an acoustic (without microphones around) concert one day, but that would need at least 60 members to have that effects, which we don’t have the ability now as there are not enough members. So, we should focus on small group on our concert, and hopefully next year we are able to recruit more members. However, you can still ask your friend to join us now, if any. We should stop recruiting by 2-3weeks time and focus on our practice.

Basically that is our band’s direction and a guideline for your harmonica journey. Hope that is useful for you. Thanks!

A GOOD WEBSITE TO LEARN HARMONICA

Hi everyone, WEN WAN here. I'd like to introduce you a good website to learn skills.
\\

www.kouqin.com.cn/lessons.asp (in chinese)

Recent Updates

Recent Performances:

1) 22 July 2010, 7.30pm
Cultural entertainment at the gala dinner of 2nd World Conference on Research Integrity.
Related Link for event: http://www.wcri2010.org/

Performance Piece: a) Liang Zhu(梁祝) 2) Mozart's Eine Kleine Nachtmusik (小夜曲)(anyone tell me if the English name of this song is correct?)

Performers: Kong Fai (First Chro); Kelvin Soon Zhi Fa (2nd Chro); Tan Jia Yi (Octave); Tan Kwong Hui (Bass)

Performers allowance : $X00 (Secret)

2) 28 July 2010, 10am
Convocation Ceremony #6 at Auditorium.
Performance Piece: Mozart's Eine Kleine Nachtmusik

Performers: Kong Fai (First Chro); Kelvin Soon Zhi Fa (2nd Chro); Tan Jia Yi (Octave); Tan Kwong Hui (Bass)
No allowance.

Recent Band Matters:
1) SAO has approved our band to buy 2 Hohner 48 chords.
2) Final preparation on converting to CAC.
3) Preparation on uploading scores, video, sound files to band members, for learning purpose.

Recent Harmonica Activities:
Upcoming "Asia Pacific Harmonica Festival" , 29th July to 2nd August @ Suntec.

Activity includes Harmonica Competition, Renowned Overseas performers' concert, Workshop on hands on application of technic (eg. maintenance and servicing of harmonica)

related link: http://www.aphf2010.org/

Festival Pass: $80 (Open Category); $50(Junior/Senior/Youth)

We will send two people (Kwong Hui and Xin Yi) to attend this festival to learn something that can benefits our band. Interested people can leave comment here so that maybe we can go together.

Message we want to bring to you:

This blog is to keep all of you up-to-date about what happens in our band. I wish all of you can participate actively in this blog so that the atmosphere build up and you got to learn more for Harmonica and our band. If you wishes to post a blog, kindly send us an email and we will process your entries.

As you can see above, the performers are the same peoples, same group. I am not here to show off, but I hope this can motivates all of you to practise well and perform. Firstly, we need you to publicize and bring glory to our band; Secondly, you can earn some pocket money as well! Thirdly, you help to increase our band's standard and build up the "yearn to perform" atmosphere. That's what I hope to see, and to "feel" within the band!
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Music to Your Ears - William Tell Overture

Hi all, this is my first time posting stuff on our blogspot, please look forward for new items in our blog in future ya~


Hoho, first item~ This is a video I saw on youtube a few months ago... Y'all must Check!~ It!~ Out!~

3 Chinese Kids are playing William Tell Overture, harmonica version~ Put your hands together if you can't play like them!!!

~\^口^/~


Next, let us have another William Tell Overture from the Korean Brass Choir~ They were doing something "different" too, quite interesting. Feel the beat and heat!!!

small note: stay alert when watching this please~

Third item today, it will still be the William Tell Overture, but it will have to be a different kind of play style right?

......

I know, lets SING it~ Belle a Cappella from Waimea College presents choir version of William Tell Overture, with lots of pattern too~ Have fun watching!

Endnote:

3 videos, 3 different music tools, 3 different performance, what is your thought for music? Comment a lot ya!

Let's think of the music you want to play in future, picture it to your wildest imagination, and please don't ask reason for this, I'll say "because it's fun~"~

光晖 (30/03/2010)

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MediaCorp Channel 8 综艺 Go Live

For most of us, it's the first time to step into the MediaCorp Theatre!
Amazing show brought by Mr. Tang~
Besides having great talent in music, our instructor Mr. Tang also masters Wu Shu.

Mr. Tang was still in the Wu Shu suits.

Taken after the show, we were all in white color to bring our sincere support to Mr. Tang! Number of people outside the theatre were not able to have the photo taking together. The supporting cards were so attractive but due to some issues, HB members were all seperated and hence cards were not able to be shown in the audience seats during the performances, it's pity :(

However, the memory will accompany us throughout our life!

Strive! Harmonica Band!!!

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The Harmonica Exchange held in Victoria JC Theatre

Do you still remember ...


Climbing up to the level 3. Such a big crowd!

It's the first time, we, 40 members went for a harmonica exchange together, by shuttle bus, from west to east in Singapore. What did you do during the long journey in the bus?

DO you still remember the experience of the first stage performance?
DO you enjoy the performances by other High Schools and Junior Colleges?
DO you ever imagine how the students trained themselves to go for the Singapore Youth Festival?

Just before the beginning of exam period, we were striving to show our best in our first stage band performance.

Hey guys, have you enjoyed yourselves?
Homeland: Spirit, the Fresco Harmonica Ensemble praised us for this song!
We believe that, we all will have this song in our mind, won't we?

Let's strive for our very own annual concert - VIVACE X!
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Extra sessions' Q&A

1. How to sound brighter and clearer on harmonica? No matter how hard I tried, the sound produced sounded dim or even with unstable notes.
Make sure that your air flow is parallel to the harmonica reed in order to have the maximum sound quality produced, i.e. keep the harmonica body parallel to your lips, not slanted upwards/downwards.

2. There is always a very short lag time (between the time I start blowing and the time when the sound is produced) for higher octave notes. Any suggestion to improve on this?
Use your tongue to give an ‘attack’ to the note (to increase the air speed). This will effectively eliminate the lag.

3. What determines the tone of my harmonica sound?
Embouchure (determines the volume) and airspeed (determines the stability of the sound)
Sometimes if your embouchure is too small (to avoid playing two holes at once causing dirty notes), notes could be bended – slightly sharper than the original notes. So, do keep your ears open and listen to your section mates. You should be playing the same notes as them.

4. Can the technique used for playing the middle notes be applied for lower/higher octaves?
No. We need to apply different technique for each and every note.
Harmonica reed for lower octave is the longest – need the greatest air volume to make it vibrate to produce the sound
For middle octave – shouldn’t be a problem for most of the time
For higher octave – the reeds are the shortest – i.e. a small amount of air would cause the vibration. Hence, over blowing/drawing will crack the notes. Playing of higher octave need very good control of your air flow.
That’s why playing of practice pieces and warm-ups using the lower and higher octave are very important. You need to ensure that you are familiar with the difference to play each and every note (from low1 to highhigh1)

5. I can’t hold my breath for too long. Is there any way to train for longer breath?
Practice, practice and practice. Aim to hold a single note for at least 16 seconds.

6. For Bass harmonica, what are the differences between single octave and double octave bass?
Double octave basses have double reed, so need more air to play the full notes. They sound thicker and rounder than the single octave basses as well.

7. How should I carry out self-practice at home?
Count the tempo correctly. Practicing difficult parts from slower tempo at first, then slowly increase the tempo until it matches with the band tempo.
You might wanna record down your own practice using recorder then playback for review. Analyse every single detail of your music including the dynamics, articulations, change of breath etc.
Finally, enjoy the music produced by your own instrument!

8. Is it okay for me to use my tongue to guide my mouth in order to find the correct hole to blow/draw?
It is a common practice to use the tongue as a guide. Nothing wrong with it but sometimes it might slow you down for running notes. Some reported that they injured their tongue as well.
A better proposition would be practicing more with your harmonica to familiarize yourself with the position of different holes. Then you will be able to estimate the distance between the holes better.

9. Is it okay for me to tap my foot in order to follow the conductor’s tempo?
It is a very bad habit to tap your foot as it could be very unsightly especially when we are on stage. Try counting the beats by heart or if you really need to tap, use your toes! Do make sure that you are tapping the same tempo as the conductor’s baton though.

http://www.angelfire.com/music/HarpOn/
- for more info on playing chromatic harmonica – some of the techniques can be applied for octave harmonica as well

Extra Session-指挥零距离

此计划的目的是为了提升团员个人演奏水准,在声部和合奏练习之外让大家有另一个学习的管道。每次都会有重点摘录,与大家分享吹口琴的小秘密,一起学习。希望接下来出席的团员会有更多对口琴方面的疑问,让我们的指挥来一一解答!对此分享系列有任何意见或看法?欢迎大家的留言!

以下是5/2/2009、13/2/2009(星期四)指挥零距离系列的摘要:


系列1:

Q:低音音阶部分吹不出声音,到底要如何开音?
A
:多吹。和练习中音音阶的方式一样,从do吹到do。吹久就会开了

Q:有时吹奏时嘴巴需要跳远,很容易就跳错音,怎么办?
A
:多吹多练。例:(26 先试跳、吹,然后再从2开始3456酱吹上去。就可以听出是否跳太近/太远。练多了让嘴巴熟悉那一个距离就不容易跳错音了。

Q:低音四(low 4)的音吹得不好听,为什么?
A
:因为口琴内部结构的关系,低音四的音色本来就不好听。所以请尽量用 #3 来代替。另外,如果让气流够厚的话,低音四还是有可能吹好的。

Q:口琴谱上的1234已经很乱了,有降音符号(E )的更乱!头脑转不过来啊
A
:要多练、要习惯。不然就把乐谱的那一部分用#重抄,头脑会比较好转。

Q : 边听歌曲边吹口琴的练习方式,ok吗?
A
:好处:一个人练习时会有合奏的感觉。坏处:听不到自己的音色,无法作出调整。拍子会被歌曲影响,可能会不习惯合奏时的变速。建议:照拍子,从慢开始慢慢加速来练。也可以把自己的练习录下来听和观察,自我评估。演奏肢体表情方面,可以对着镜子练琴来改进。强烈鼓励团员们私下召集与自己住靠近的其他团员,尤其是seniors来一起练习。

吹奏口琴诀窍:
1.
要仔细把所有的dynamicsarticulations做出来,把每一个细节都做到。建议用highlighter把需要注意的画起来。

2. 多练习!只要对歌曲熟悉,自然而然就不会遇到抓不准洞口和音准上的问题了。

3. 多听!古典乐、流行乐、民族乐曲什么类型的音乐都能帮助提升音感,从而提升演奏技巧。

4. 要懂得欣赏自己吹奏出来的音乐!自信很重要!

不敢吹 >>> 很小声 >>> 不好听 >>> 指挥要求重来 >>> 担心吹错 >>> 不敢吹 >>> 很小声 >>>....


系列二:

Q: 怎样才能练好拍子。

A: 私下练习时可以用节拍器。建议去Bras Basah Complex 买,详细地址可以私下问汉维或seniors. 大组练习时建议用脚趾打和指挥同样节拍的拍子。 这样,从慢慢的速度练起,慢慢的就会抓准节拍的了。避忌:永远不要尝试凭感觉来吹大组,一定要跟指挥的节拍!

Q: 吹的时候有时不能同时看谱又看指挥,怎么办?

A: 谱架的高度一定要调好!要把谱架的高度调到不至于让自己的头往下倾斜。另外,可以尝试用眼角去看指挥的拍子。

Q: tongue block 要怎样练?

A: tongue block 的好处是可以让自己的嘴形一致、吹的时候反应可以很快,同时tongue block是各种口琴技巧的必备条件。比如,如何同时吹中音一和高音一以让半音阶达到类似octave的效果。详细情况可以私下问声部部长。

Q: 换气要怎样才能够快又顺畅。

A: 要熟悉吹的谱,可以记录下哪里要换气。经验累计多了,以后吹任何的谱的时候换气就会快了。

Q: 怎样振音?

A: 1.手掌形成一个共鸣腔,越大越好,振音的时候用其中一个手掌,或则同时两个手掌做开关的动作即可。2.摆动口琴,做左右来回的动作。3.用嘴唇,做前后的动作。4.用喉咙,初学者可以念‘右右右.....',让自己的振动更有连续性。5.丹田,有待争议。

**只要能去变化吹出来的气流,方法其实可以很多种。

Q: 冷的时候口琴吹不出声,怎么办?

A: 其实很多乐器都是有这样的情况,温度太低的话乐器很难玩出来。 如果温度还不算太低的话,warm up口琴是有帮助的。

建议:想长期玩口琴的团员,可以考虑去买hohner牌子的口琴,好处:容易开声、弹片的反应快。 对欲更上一城楼的团员很有帮助。 但缺点是贵:比如,十六孔的半音阶口琴就要大概一百多新币左右。 另外,玩乐器,自发性很重要!

composed by WeiJian, FongEn

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口琴营~2008年属于我们的回忆

第一天~

大家起来报到咯!噢噢。。


破冰游戏。。。大家的心都被融化了。。。


练习咯!哈哈,大家努力的样子是否很迷人呢?


maincomm们努力为大家呈献的戏剧演出!


子法和值豪落力演出!


opening ceremony过后,大家一起参加"孙老师舞蹈教室”。


在南洋屋开出了许多漂亮的花朵。!


二号当铺。。。中重要的一幕。。。


开心地搓汤圆。。。


献给老人家的礼物。。我们也要一起变成老人家哦!



希望你们晚上睡得着。


outing...路途中,巴士上~


outing 中。。。脸青青全家福


我的美人全家福


就是那个咯全家福~


olengoleng全家福~


口琴团全家福~

记得我们的承诺哦!一起变老人家!

下一届口琴营敬请期待!
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Charity Drive

10多人的回忆,就在你我间。
三天的密集训练,三天内六间老人院/疗养院的慈善活动,拉近了彼此。
团员的热忱,对长辈的悉心照料,这样一点一点地累积,带给老人们的,却是满满的温暖。



黄色衣服那么耀眼。多次作为开场表演,暗暗地把大家的情绪带入圣诞气氛中。

[照片中人:恒毅、家毅、宏海、牛超、姜明、宗轩、铭炜、庆月、蕙蕙、嘉怡、勇豪、志明、智铭,指挥:怡云]



公公:我bingo了吗?
光辉:公公,我看看哦 :)



宏海:婆婆,我们一起照相~!



志明:婆婆,我们去看表演啦!



公公:哇,你们真的很棒!
勇豪:公公,很棒啊?掌声大大~~

VIVACE X, 嘉怡有话说:

VIVACE 系列,是口琴团成长的象征。VIVACE即将迈入第十届。领导层计划在校外大场所举办这场意义非凡的concert,时间暂定为明年八、九月。我们希望能将这个演奏会推广至大众,所以最重要的是我们要有相当的水准,让听众值回票价,在来届的vivace继续支持我们。一个演奏会能不能够成功,除了筹委会以外,关键在于演奏员本身的素质。身为演奏员,我们当然需要付出努力。世界上没有白吃的午餐吧?口琴团是一个团体,每一个团员都是重要的元素。团队精神是很重要的。所以,如果下定决心要参与VIVACE,我们要求能够有commitment, commitment是什么?那就是,自己要勤劳的练习口琴,最基本的音准拍子要靠个人努力,声部练习是让声部部长传授技巧和知识给团员,而大组合奏时讲究的是研究歌曲的感觉,用口琴用音乐把歌曲的感觉表达出来,感动观众

除了学期的例常练习,大部分练习将在三个月的假期。我们计划在假期有例常练习,让大家能够在八月开学前就准备相当,那么我们在开学后也照样例常练习,让大家能够兼顾学业和演奏会,也不会那么劳累。所以,我们要求每一次的练习都必须出席,除非有合理的理由。对于那些提供合理理由者,我们会电邮你们softcopy,让你们能够自己练习,熟悉歌曲,只要在回归团队后能够跟得上大组合奏的进度就行了

演奏会,是付出后的成果。没有一场演奏会是完美无瑕的,但是,只要尽了力,那种满足感和感动,将会是你继续学习口琴的动力,因为,你有了热忱去学习更多的东西,及享受于每一次的活动。

在今年的recess break前后,我们就会确定表演名单。希望大家好好思考这个课题啦!

口琴团一家亲的理想,经过口琴营的熏陶后,慢慢孕育出家庭温暖。大家都是家庭成员,一起加油哦!

口琴吹吹乐。。。

想用口琴吹出偶像的歌曲吗?
想用口琴吹出时下最流行的歌曲吗?
想用口琴吹出自己曾经很喜欢的经典老歌吗?

http://www.gepuw.com/

这个网站绝对可以满足你的需要!


http://www.tom163.net/yuepuku/gequyuepu/Index.html

这个网站也不错哦!

——感谢子法提供的资料。。
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如何把口琴学好?——戴銧辉想说的话。。。

心得?要说出来却好像没有。
两个字,热忱。
不管学什么,都该有热忱。有热忱,才会想进步,才会想继续学习,才能在有限时间内把东西学好。亚洲的教育模式,注重记忆式的方法,什么东西都要把它记在脑中,与其将它死死的束缚在脑中,倒不如留下一个美好的印象就好,以后要用到的时候再翻回以前的课本或笔记。就是因为从小我们就在亚洲式的教育里成长,使得我们的创意一天一天被抹煞,因为当你做出一些大人们不习惯的事情,他们会很主观的“纠正”你。
学音乐,讲求的就是创意,没有创意,就没有现在的流行歌,没有jazz and blue,没有摇滚。可是我看到的是,口琴团一尘不变的吹奏方法,没有在学习新东西,就没有动力想要进步。当你很满足因为演奏完一首歌的时候,可曾想过除了更熟练以外,你没学到什么东西,你的技巧还是停留在那一阶级。当然,我不否认,practice makes perfect, 但是更希望的是,团员们自己清楚知道自己什么时候该更上一级。外面的世界那么大,不该永远停留在自己的世界里。口琴团邓老师,学长及毕业了的团友,甚至上网看看,都能学习到震撼你的新技巧。我自己也在学习中,所以只能跟大家分享一下自己的心得。
还是说些实际的,要练好口琴,除了多多练习,洞要抓准,拍子要练准,要训练音感,更要感觉每份曲谱该带出的感觉和韵味。你必须先被感动,才能吹出感人的音乐。相信junior们都领略到如何抓准洞了吧。要抓准洞,诀窍就是多练习,熟悉每个音的位置,就像吉他手闭着眼睛也能抓对和弦,因为他们练习到不用思考也能自然反应的“手感”,而口琴,就是要训练你们的“口感”咯。再来就是tongue block, 要学会更深层的技巧,就必须学会tongue block, 用tongue block 吹出来的tone会比较好听,而且可以利用舌头的抖动产生抖音,甚至可以边吹主旋律边吹伴奏。这些技巧我也不会,但正在学习。Juniors们不必觉得自己的技巧还不够成熟学tongue block,其实tongue block 是另外一个system, 不同的工具来诠释你的口琴罢了。如果有兴趣,不妨上youtube看看别人怎么吹口琴。多看,多听,多学,才是学好口琴的重大任务。
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传说中的six-sided harmonica!



这是专门设计予蓝调口琴家(我们俗称的harpists)的口琴。因为蓝调演奏家在演奏过程中涉及许多的转调(曲子中大调或小调的转换),而我们常用的口琴在转调上带有很大的局限,蓝调口琴家若使用典型的口琴就常需要在乐曲转调时,在口琴堆中寻找不同调子的口琴进行演奏,非常不便,此款six-sided harmonica就能够有效地解决此不便。
此款six-sided harmonica的任一部份也能随意地从主体中拆下,因此在不需要用到某音调的口琴时可以将之从主体上拆下。Six-sided harmonica的音调包括C,D,F,G,A,Bflat,如此多的音调可以让你随意地演奏蓝调,但它的价钱好像不菲——$299.95。
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Apache

吹了apache一下下,
是不是觉得很好听?

Apache是以前很强盛的印第安部族,
曾经与西班牙军队抗衡了几个世纪。
Warrior

值得一提的是,美国的其中一款战机也叫Apache,haha

这里附上Apache的mp3,
可以听听看
http://www.cubpop.com/mp3/The%20Shadows%20-%20Apache.mp3

想多多了解乐理吗?

通过几次的练习后。。指挥教导了我们许多乐理知识。。。
想更快更深入地了解乐理知识?
这里有很好的乐理学习网站可供大家一起学习乐理。。。。

http://www.8notes.com/theory/


此网站介绍有关大调、小调、节奏等等的乐理,
并具备声音、动画等的实际示范。。。
是一个非常好的乐理学习平台。。。。

加油!努力学习乐理!
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3oct2008练习要点

乐理
C大调 Cmajor 1 2 3 4 5 6 7
A小调Aminor 6 7 1 2 3 4 5 6
A harmonic minor 6 7 1 2 3 4 #5 6
A melodic minor 6 7 1 2 3 #4 #5 6 5 4 3 2 1
F大调 Fmajor 4 5 6 b7 1’ 2’ 3’ 4’
D小调 Dminor 2 3 4 5 6 b7 #1’ 2’
曲子
歌曲:Chan Mali Chan
9号曲子
练习技巧:以低音吹奏technique1(1-8)
吹奏technique2(9-14)

团员们,加油!努力达到目标!
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2008/09口琴团组委


陈嘉怡-团长
温鸿恩-副团长
陈怡云-乐团首席
戴銧辉-半音阶组长
黄俊凡-半音阶组长
洪蕙蕙-重音组组长
罗毅弘-重音组组长
丘勇豪-低音与敲击部组长
张亦弛-文书兼财政
阙智铭-总务兼乐器管理
张值豪-总务兼乐器管理
余振伟-总务兼乐器管理
李晓萍-宣传
谢秀敏-谱务管理
陈光晖-谱务管理
还有新加入的张玮峻同学~~~低音与敲击部组长


组委们,在新的一年里要加油噢!

金琴奖 恭喜恭喜!



07/08 南大中文学会口琴团 金琴奖
飞跃叱咤入围 – 戴光辉/一高 候佩丝/二高 陈铭炜/二高 温鸿恩/重音
丘勇豪/低音
得奖 – 温鸿恩/重音
年度全勤入围 – 雷远翔/一高 陈思憬/一高 洪蕙蕙/重音
罗毅弘/重音
得奖 – 洪蕙蕙/重音
荣誉贡献入围 – 郑泉城/二高 刘卓彬/二高
得奖 – 刘卓彬/二高
(特别奖)口琴爱您 – 吴以泉 / 和弦

*入围名单由声部组长及指挥提名,得奖名单通过07/08年度口琴组正副团长及08/09口琴团团长投票选出
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第一次练习。。。

今天是2008年9月4日,也是junior们第一次吹口琴的日子。。
口琴团是怎样的啊?口琴应该怎样吹啊?教练如何指导我们啊?
这应该都是junior们的心声吧。。。

分配了声部之后,财政就开始摆摊了,
需要给钱的就等被叫名字,不用给钱的就马上被声部部长叫去特训了,
过后大家就哔卟哔卟地吹起来了,senior们也开始漫场飞,
努力地指导我们。。。。

学过口琴的junior就在吹歌,没学过的就在学“如何把音吹进一个洞”,
听起来好像很容易,可是又好像很难,
哔哔卟卟哔哔卟卟,吹吹吸吸。。。。

第二天2008年9月5日,是junior们第二次吹口琴的日子,
哈哈,今天难度提升了,要会看谱咯。。
大家看着谱吹着口琴,感觉不赖吧!

指挥今天也教导了大家一些乐理知识,
junior也学得不亦乐乎,
有关升半度,降半度的知识,junior们要努力学会哦!

还有不要忘记了,指挥给的功课,
1 #1 2 #2直到1’的练习!






大家准备练习咯。。。。





指挥汉维努力地教导大家吹奏。





低音部齐来合照吧!


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